Following Spring I and Spring II, the work preserves the same childlike wax-crayon language while bringing the flower to a new state of independence.
In Spring I, the flower first appeared with a simple grass-like stem.
In Spring II, it developed into a form growing from a woody branch.
In Spring III, the flower separates from both stem and calyx and appears on its own.
Within the museum, this progression can be experienced as a continuous transformation across the first three Spring works.
The season remains the same.
But the flower has already changed.
Its presence in the Digital Museum allows Spring III to be understood not as an isolated variation, but as the completion of the first Spring movement within the larger twelve-work sequence of The First Flower.
The museum preserves the work together with its images, documentation and relationship to the Spring works that precede it.
With Spring III, the first Spring sequence reaches its conclusion.
The flower stands on its own.
And the journey of The First Flower is ready to move forward.