Following The First Flower — Spring I, the work continues the childlike visual language first introduced after the Genesis Core while allowing the flower itself to develop into a new form.
In Spring I, the flower rises from a simple grass-like stem.
In Spring II, that structure becomes a woody branch.
Within the museum, this change can be experienced as part of a continuous chronology rather than as an isolated variation.
The Young King remains within the same season, but the marks carried on his body are already beginning to change.
Spring II therefore occupies an important position in The First Flower. It demonstrates that the sequence does not advance only through changes of season. Transformation is already taking place from one work to the next.
The Digital Museum preserves Spring II together with its images, documentation and relationship to Spring I and the works that follow.
Here, continuity and change exist together.
The first flower has not disappeared.
It has begun to grow.